A solid, though derivative, entry into the haunted house/evil spirit/possession cycle that’s current, reminiscent somewhat of Insidious (and I’m ignoring that Patrick Wilson is in both), and supposedly based on true events, that works really well in act one, but gets less creepy and more gross-out as the story unfolds – so I think the first act is most successful.
However, it’s a pretty decent horror movie all around, with the only flaw in it being a section where the psychic investigators’ own daughter is somehow threatened at their home – this I think fractures the movies internal logic and feels more filler than intrinsic.
Otherwise, quite enjoyable.
Another fun comedy with Will Hay, British music hall comic, and his assorted sidekicks. Here, he accidentally becomes a prison governor, and various shennanegins ensue. It’s a shame you rarely see goofy comedy like this these days, where a silly premise is grabbed and run with all the way to the end. I guess the Farelly brothers are the nearest contemporary equivalent.
First watch for me, and not something I’ve ever rushed to see, but I do like a few Peckinpah movies, so I thought it was time.
I found it very unengaging. The acting wasn’t great, except for Coburn (who was qreat) and some of his troop, and I found the slight story meandered along in a disjointed pace, and I did find some of the scenes either pointless or just poorly constructed.
I think if I’d have liked the film better, I’d have probably liked the non-ending better, and if I’d hated it, I’d probably loathe the ending, but as it was, I was just glad the movie was over. I suspect they did film an ending, but it was not a good one.
Probably overrated, in my humble opinion.
A goofy comedy about two inept, murderous undertakers played by Vincent Price and Peter Lorre, but also with Basil Rathbone, Boris Karloff and Joe E Brown. They’re all hamming it up gloriously, and it’s a lot of fun.
I particularly like Price treating his hot wife like she’s repulsive.
I’m sure glad I didn’t see this at the cinema, the shakeycam would have been unbearable, I’d have vomited.
Watching at home, you can at least avert your eyes and look at something else, which I ended up doing for a lot of the running time. I found the first 25 minutes or so really hard going, setting up this twentysomething angsty love affair issues, which was quite tiresome (and didn’t need to be there – a fully formed couple would have worked just as well dramatically, and stopped all the annoying angst-drama), but the film did improve dramatically once they got on to the streets.
There were some nice tense parts and it was effective for the last hour, and quite enjoyable (as long as you looked away from the irritating shaking frequently), and it was nice to see a big monster movie played out with dramatic tension and fear.
First in a chronological monthly series about the books of Stephen King (and associated media).
In this one Mark covers the book, the audiobook as read by Sissy Spacek, The 1976 De Palma movie, the 2003 TV movie, and the 2013 movie.
In this episode, Mark and Sam cover 3 movies directed, written and/or acted in by the late, great Harold Ramis. Plus a number of other movies we’ve watched since last time.
- Ghost Rider
- Ghost Rider: Spirit of Vengeance
- David Attenborough’s Natural History Museum Alive
- Battle Beyond the Stars
- Thor: The Dark World
- Kevin Smith: Burn in Hell
- Treasure Planet
- National Lampoon’s Vacation
Made at the tail-end of the Hammer era of horror movies, this is a rip-roaring, swashbuckling horror movie, with Captain Kronos killing vampires with a Katana many years before Blade got to it, this is just a lot of fun. There’s whole new vampire mythology being made up in this one, with vampires coming in a lot of varieties and with distinct ways to kill them, and whilst the lead is a little uncharismatic (he looks like Bjorn Borg), it really cracks along at a fair pace, and is thoroughly entertaining. I think this guy was Hammer’s attempt to provide a hunk for the ladies maybe. Hammer were always good at providing attractive young ladies for guys to look at, and whilst Peter Cushing and Christopher Lee are fantastic, they aren’t exactly hunk material for the ladies.
The central friendship between Kronos and Grost is also pretty good, with a few lines giving a decent feel for how much they mean to each other. I also liked the scenes involving the inn bullies, which I suspect was padding to fill out the time as it really didn’t connect with anything else, but were actually pretty good at illustrating what a badass Kronos was. The whole working out how to kill this species of vampire was cool too, and there were other nice imaginative touches to this (the time-freezing during the vampire attack; Kronos making the vampire self-hypnotise and freeze; the entire sword-fight).
Also, Kronos gets a little roughsex with Caroline Munro.
Deserves a remake.
Oh, and the gorgeous Caroline Munro is in it.
Oh, and Benedict Cumberbatch’s mum is in it too.
Superb comedy, so filled with gags and funny moments that it may just be the most rewatchable comedy ever.
Everyone’s really on form, from Bill Murray, Chevy Chase, Rodney Dangerfield and the fantastic Ted Knight.
When I watch this, I really try hard to disentangle the mighty nostalgia I had with it (this was a staple ‘watch a movie after the pub’ movie and I’ve seen it many, many times) for if it actually funny anyway, and I’ve concluded…nope, it’s not nostalgia, it’s just damned funny.
This is a really interesting movie. It falls flat on a lot of the acting and dialogue, but really stands out for several reasons; the weird overuse of weird organ music throughout and indeed the whole sound design, which is a little rough, but fits well with the tone of the movie; the look, movement and charisma of the leading lady, who isn’t the most accomplished actress, but still gets across the weird nature of the character and her predicament; the cinematography is really very good, as is some of the editing – there’s a great edit in particular where we see the heroine jerk and suddenly appear behind the wheel of a car.
Interesting, as I say, and a real mix. Good, bad and odd.
This is a review of both parts of the Star:Wars Clone Wars 2-D animated series.
This is fun, exciting and fresh, and the best Star Wars since the original trilogy.
Originally broadcast in 4 or 5 minute segments, this still works wonderfully as a single cut-together entity, almost entirely due to the canny filmmakers who wisely used cliffhanger devices between segments, thus providing the dramatic glue to allow the cut-together version to work well.
The animation is simple but very effective, the action is well choreographed and exciting (in Volume 1, there’s a battle between Mace Windu and, well, a droid army, that’s just fantastic), and it never flags. We get some important insight into Annakin’s journey, Yoda’s powers, and how General Grievous got where he got.
Thoroughly recommended, the crowning achievement to date of Star Wars, since Return of the Jedi.
Rather charming, clever and extremely inventive animated movie, that starts well and just gets better and better. I like some of the great ideas in here, like the clever girl having her own protective behaviours such as hiding her own smartness, and the fact some of the characters act against how they’d act if this movie traded in stereotypes.
One of the best animated movies I’ve seen for a while (for its inventiveness and weird moments, like people being chased by walking roast chickens). It plays to me like the weird lovechild of Tim Burton and David Lynch, sentenced to work at pixar together (maybe that’s a little strong).