TV Review: Doctor Who Regeneration 1 Series 007 The Sensorites 4/10

Here the crew land on a spaceship and think everyone is dead.  It turns out they’re not, they’ve been incapacitated, and keep getting incapacitated whenever they try to leave orbit of the planet they’re close to, called The Sense-Sphere.  It turns out the inhabitants of this planet, the Sensorites, are afraid because previous humans discovered their planet had huge deposits of molybdenum, and were planning to mine out the planet.  However, the Sensorites have psychic abilities and could read their minds.  What then follows is a convoluted, unfocussed tale of tribal politics, hidden humans trying to poison the water supply as they imagine themselves at war with the Sensorites, and assorted shennanegins on the spaceship and the planet. It’s a little plodding, and the plot is all over the place, but there’s a really good performance by an actor called Stephen Dartnell (playing ‘John’) who has to convey both terror and confusion as his mind has been turned by the Sensorites.  Probably one for the completists.

Rating: odd, 4/10

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TV Review: Doctor Who Regeneration 1 Series 006 The Aztecs 6/10

Some nice touches in this one, with the Doctor and companions landing right in the middle of the Aztec civilization. Barbara gets taken for a reincarnation of a revered high preistess, and starts to declare human sacrifice is unpleasing for the gods. There are power struggles, and the Doctor insisting you cannot and should not interfere with history, and reasonably good set design for such a stagebound, low-budget production, and the lead characters are mostly fine, though some are quite wooden.  I also like the part where the Doctor inadvertently gets engaged when he shares drinking cocoa with a woman taken with him, and he indeed feels affection and admiration for her.  The final shots in the Aztec kingdom have him put a gift from her down just outside the Tardis, but then pocketing it at the last second before going  into the Tardis and leaving.

Rating: Good, 6/10

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TV Review: Doctor Who Regeneration 1 Series 005 The Keys of Marinus 6/10

Rather good story where the Doctor and his companions land on the world Marinus, where a supercomputer once ran everything, but went wrong and was shut down.  A  scientist has fixed it, but needs the assistance of the visitors to secure 5 keys to start the machine.  What follows is a set of contained separate stories as the visitors traverse the world to collect the disks.  These range from very good to good, each story holds up quite well – though there’s some weak scenes and the final two episodes are a little overextended, centring on a murder mystery.  My favourite is the first substory – where brains in glass jars have mental control over the humanoids in their city, making the visitors think they are in paradise when they are in fact in rundown shabby rooms, until Barbara suddenly sees through it.

I rather liked it overall.

Rating: Good, 6/10

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Star Trek 3 The Search for Spock + Top 5 movie antagonists 022

In episode 22, Mark and Sam talk about Dr Who, the terrible movie Sergeant Peppers Lonely Hears Club Band, Skyrim, and then their top 5 movie antagonists, and the movie Star Trek 3 – The Search For Spock

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Abbott and Costello Meet Frankenstein + Top 5 movie monster fights 021

In this one, Mark and Sam talk about their favourite movie monster brawls, and talk and laugh about Abbott and Costello meet Frankenstein

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Rise of the Planet of the Apes + Best Examples of Science Gone Wrong in Movies and Video Games 020

In this episode, Sam and Mark discuss Rise of the Planet of the Apes, and the best examples of Science gone wrong in the Movies and in Video Games.

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Book Review: A Princess of Mars by Edgar Rice Borroughs – Reasonably engaging pulp science-fiction 6/10

Book Review: A Princess of Mars by Edgar Rice Borroughs

Written by the man who would later go on to create Tarzan, this is the first book in the ‘Barsoom’ set of books (Barsoom being a name for the planet Mars) which chronicle the story of John Carter, an earth man from Virginia, USA who mysteriously finds himself on Mars.

John Carter first finds himself among a tribe of green 6-limbed Martians (two arms, two legs, and two in the middle that are multifunctional, but are usually used as an extra set of arms).  These martians are at least double the size of humans and are fierce warroirs, but Carter finds himself having greater strength and speed than these people, owing to the lower gravity, and proves himself more than a match for any of them.  Eventually Carter also encounters a member of the red Martian race, who are more like humans, who happens to be a Princess of a city/state called Helium… and through various shennanegins, fights, adventures, escapes and battles, he eventually wins her affections and helps unite various martian factions in peace.  But the adventure doesn’t end there…

This is grand old pulp fiction, the sort of story that would find itself in comic books these days, and much in common with the more familiar Flash Gordon and Buck Rogers stories we saw in the 1930s film serials.  It’s straightforward and unilayered, but the language is both charming and archaic, as John Carter is a civil war veteran, and is written to talk like a grand Southern gentleman.

How this wasn’t converted into a movie until very recently (coming out next year) I don’t know, as it reads much more like the novelisation of a movie than a novel – which I guess is the intention of this type of pulp fiction – to be easy reading, and stimulate the imagination with action and visually-oriented descriptions.

I quite liked it, but not sure how likely it is I’d go back and read more adventures.

Rating: Odd 6/10

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TV Review: Red Dwarf Series 4 A rather fine set of adventures from the Red Dwarf Posse 8/10

Red Dwarf Series 4

A great outing for the crew of Red Dwarf, maintaining the feet they found in series 3, and containing some wonderful sci-fi ideas as well as excellent gags. It consists of 6 episodes: ‘Camille’, ’DNA’, ’Justice’,  ‘White Hole’,  ‘Dimension Jump’, and ‘Meltdown’.  The episodes are consistently good and funny from start to end, and the best episode is probably Dimension Jump, the episode that introduces the cool, manly and confident version of the Dwarf’s weaselly, cowardly Rimmer, as ‘Ace’.   However, there’s some spectacularly funny parts throughout: The Cat meeting his ideal partner (‘Get me a Brandy!’), Kryten becoming human and showing Lister double-polaroids of the genitals, Lister playing pool with planets, and Lister’s reaction when seeing Winnie The Pooh being led out to be executed.

I thoroughly recommend this series.

Rating:Good 8/10

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TV Review: An Idiot Abroad – Series 1 and 2 Unique mix of travel show, comedy and ‘fish out of water’ documentary 8.5/10

An Idiot Abroad – Series 1 and 2

This show is about the travels of Karl Pilkington, a long-time colleague of the comedy writers/performers Ricky Gervais and Stephen Merchant.  Karl is rather close-minded, glum and always seems to find the cloud wherever there’s a silver lining.  However, his outlook on life, and his many comments on various aspects of life, are frequently very funny, and sometimes truly hilarious.  This show involves Gervais and Merchant sending Karl around the world accompanied by a camera crew, catching his reactions and thoughts on what’s going on.

Series 1 involves Karl visiting various world Wonders such as the Great Wall of China and the Pyramids.  Series 2 involves Karl doing things he picks from a concensus of the world’s most frequent Bucket List ‘to do’s, such as swimming with Dolpins or staying on a desert island.

OVerall, the entertainment value and number of laughs in this show is very high, it’s funny to see Karl comment on things that would also perplex most Englishmen abroad (such as no doors on the toilets in China, or use ice to wipe your bottom in Alaska), and often we laugh at this as much as laughing at him for being close-minded.   I can no longer think of the Great Wall of China after seeing this, only the Alright Wall of China…

The only fault I can find is that sometimes it does feel like you’re watching someone being bullied into things they really don’t want to do, and also you sometimes feel Karl is playing up to his persona rather than being completely natural, but overall the entertainment value of this show is very high.
Rating: Good, 8.5/10

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TV Review: Game of Thrones Season 1 – Rather fine, exciting sword and sorcery political drama 9/10

Game of Thrones

This is an excellent 10-part drama about the intrigues, violence and everything else you’d expect in a clearly adult drama series set in fictional kingdoms that bear than more than a passing resemblance to Tolkein’s middle earth (but without the elves, dwarves, trolls, and orcs).

The story and drama is well-crafted and treated completely seriously, the set design and general direction is very good, and the cast and level of acting is excellent (other than the child actors, which are adequate). I also give it credit because at the midpoint of episode 8 I thought I understood completely how it would finish, but in fact it surprised me with at least 2 major shocks/twists – and in ways that were completely coherent to the logic of this universe.

On the other hand, it did finish with barely any single plot threads resolved, taking cliff-hanging in TV series to a new level, in my opinion.

This is thoroughly recommended – but be aware that whilst it has some of the trappings of Lord of the Rings, it is completely and thoroughly adult in tone and content

Rating: Good, 9/10

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The Grinch (2000) – Underappreciated Christmas movie with a tour-de-force performance from Jim Carrey 8/10

The Grinch (2000)

Made in 2000 and directed by Ron Howard but mostly dismissed somewhat by critics and held up in many circles to be a bit of a Christmas turkey, this is, in my opinion, a most excellent and rewatchable Christmas movie, served well by some excellent design, makeup and visual flair from Howard, and even better served by Carrey’s remarkable performance as the Grinch.  This film is consistently funny and entertaining throughout, with the occasional maudlin section that, thankfully, never lasts too long.

I’m amazed it only scored 5.7/10 on IMDB, and wonder what people were expecting? Are they comparing it to the original 60s cartoon Grinch with narration by Boris Karloff, and the song by Howard Keel? (the Keel version is incomparable, admittedly).  In checking some of the IMDB reviews, it seems that they are.  Some people are also incensed their shortish Grinch story was expanded up to make a feature length movie.

Well, they’re wrong, this is excellent Christmas fare for children maybe 8 and above (it can be intense in places), and adults will similarly enjoy.

Rating: Odd 8/10

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Book Review: I am Spock – Leonard Nimoy (1995) – he’s Spock sometimes, at least 6/10

I am Spock by Leonard Nimoy

This is a memoir by Nimoy which zooms through his involvement with the TV series (but gives enough to be interesting) and then more exhaustively covers his involvement with the 6 star trek movies involving the original cast (he also talks about the 7th and his reasons for not being involved with it). It also mentions his involvement with the Star Trek: Next Generation double-episode ‘Unification’ (this is a great pair of episodes, by the way). He also discusses ideas about a prequel Star Fleet Academy movie that was bandied around – which sounds an awful lot like the most recent reboot movie…

Nimoy writes in a straightforward, non-flowery style, and starts each chapter with some dialogue between Nimoy and Spock, discussing the issues covered in the coming chapter.  He also sometimes intersperses these chats within the text.  It’s interesting to start, but gets a little odd/pointless.   His stories about Star Trek are interesting, but rather dry.  Shatner’s books ‘Star Trek Memories’ and ‘Star Trek Movie Memories’ are much more entertaining, and detailed – and a pair of books I thoroughly recommend.  If I had to pick one word for Nimoy, it’s ‘earnest’.

The book is also an interesting insight to his inner conflict with Spock and how it dominates his acting career (in this book, he strongly asserts he’s very happy with Spock now compared to earlier in his career – his book previous to this was called ‘I am not Spock’!).  And whilst he says he’s happy, reading between the lines indicated Spock still haunted him somewhat back in 1995.

I really think anyone could read and enjoy this book, but really, only Star Trek fans (myself included) will be the ones to read it.  And it has a great last line.

Rating: Good 6/10

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The Man with the Golden Gun and best uses of weapons in the movies 019

In this podcast, Sam and Max talk James Bond when they cover The Man with the Golden Gun, and talk about their favourite moments in the movies involving weapons.

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Graphic Novel Review: Ronin – Frank Miller Not Miller’s best, but an interesting read 6/10

Ronin

An interesting work by Miller predating his more famous works (such as The Dark Knight Returns, Sin City and 300), and hailed by some as his first masterpiece, I was definitely engaged for the first half of book one (one of six) concerning a struggle between a masterless unnamed Samurai (a ronin) and a demon-king, but then the story took a drastic swing into a future dystopia where the story we’d just had appeared to be the dream of a limbless boy that controls a giant computer that runs a city….

Whilst imaginative and having some striking visuals, this was nowhere near as engaging as the Miller stories I mention above, and I did struggle to follow exactly what was going on for sections – which made it hard for me to keep interested.

Overall, I recommend the other Miller works mentioned above far ahead of this, but it was visually striking in places and overall worth reading once.

Rating: Odd 6/10

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TV Review: Doctor Who Regeneration 1 Series 004 Marco Polo 3.5/10

Rather over-extended story (spanning 7 episodes) about Marco Polo encountering the Tardis crew and taking their ‘flying caravan’ as a gift for the Kublai Khan.  This was a really-drawn-out, wordy story, that meandered about for much of its running time, with repeating sections where Marco Polo is writing his journal, as we hear voice-over that sounds like it was lifted from a basic school history primer on Marco Polo. This also wasn’t helped by the fact that the video for these episodes has been lost, and only the audio remains – but was helped by the fact the version I saw had colour photos of the action (or photos that near enough gave an idea of which character was talking etc), and it was fun to see these characters in colour for a change.  Not much fun, as it tries to be worthy and historic, but comes off as stuffy and boring for long stretches.  It is interesting to hear some 1960s phrases/expressions/ways of talking though.

Rating: Bad, 3.5/10

Suitable for all ages

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Beneath the Planet of the Apes – Whacky Apes movie that could only be made in the late 60s 6/10

Beneath the Planet of the Apes

Okay, this starts with 5 minutes from the end of the first movie, after which we see Charlton Heston as Taylor disappear into a landscape, leaving his non-talking companion Nova alone on a horse in a barren wasteland.  It then quickly moves to a ‘rescue mission’ after Taylor (the other astronauts with him seem to be forgotten about by the rescue team) which quickly whittles down to one man, Brent, who encounters Nova on a horse. then goes through discovering Ape city and then escaping into the Forbidden Zone after various shennanegins – to encounter a group of human mutant telepaths that worship an atomic bomb as a god. These find themselves about to be attacked by an oncoming ape army (who don’t know they’re there…), and prepare to launch the bomb at Ape City – not knowing the bomb is designed to blow up the whole world (yep, like someone would build that).

There’s some real whackiness here, and whilst the ideas are interesting and fun, and some parts of the execution of the ideas are quite good (the time of worshipping, like a religious service – the use of notes on the soundtrack to denote telepathic messages being sent), it’s not really that much fun to watch.  There’s also some really silly scenes – like the apes in a steamroom – looking like guys in excellent ape masks wearing shaggy carpets…

Not as much fun as the ideas suggest, but not bad.

Rating: Odd, 6/10

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V for Vendetta and top Movie Masks Episode 018

Mark and Sam discuss V For Vendetta because of Guy Fawkes’ Night just past, and their favourite movie masks, as well as talking about old Universal horror movies, and the XBox game Deus Ex

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Book Review: Equal Rites by Terry Pratchett 7/10

Equal Rites by Terry Pratchett

This is the third book by Pratchett about Discworld, and involves no characters from the previous books – and as such the reader can read this one as a standalone without being disadvantaged.

It involves a small girl who happens to inherit and otherwise possess magic of a wizardly kind, and starts on a path of learning witchery before her mentor, Granny Weatherwax decides she really needs to be trained as a wizard.  The story then becomes about the girl, Esk, getting to the Unseen University and by a convoluted path, eventually becoming the first female wizard trainee.

It’s a fun, light read, with enough invention and twists to not be entirely predictable, and some nicely drawn characters – most centrally Granny and Esk. There’s also some fun and surprisingly through-provoking content about the nature of feminine and masculine magic, and how they differ.

Recommended

7/10

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The 40 year-old virgin – Good adult comedy with sympathetic characters and outlandish scenes 6.5/10

The 40 year-old virgin

The film wasn’t that funny or particularly engaging for the first 10 or so minutes, the characters seemed flat, and there weren’t many laughs. It warmed up a bit during a poker game, where a little Indian guy got peeved off and started cussing, and pretty much developed well after that. It turned into a pretty good comedy about helping some poor sap, played by Steve Carell, to lose his virginity. The characters turn from flat to being reasonably rounded and sympathetic ones, and we all have a bit of each of these guys in us.

There are some incredibly funny scenes here, and this is definitely a good date or go-with-buddies movie. Plus this movie does for ‘Age of Aquarius’ what Anchorman did for ‘Sky Rockets’, but up by a magnitude.

The secondary characters, such as an elderly black couple, a mouthy little jewish kid with a ‘jewfro’ haircut, and a pair of angry Indian salesmen that trashtalked pretty much everyone were also quite amusing and kept up the pace.

Overall, I laughed my head off in places, and was pretty happy watching the rest. Good ending too!

OVERALL: 6.5/10

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Movie Review: Batman Year One – Rather fine animated feature about Batman’s origins 7/10

Batman: Year One

This 2011 animated movie is adapted quite directly from a graphic novel of the same name.  It’s a rather good origin story, plotting the course of two men arriving in Gotham – Bruce Wayne after years of travelling and training, and Jim Gordon, an honest policeman who the other cops shun as he’s…well, honest.

We see Bruce try and figure out how to make a difference after getting stabbed in a seedy area of Gotham after picking a fight with a lowlife, and trying to figure out how to make himself much more imposing and scary, but also begging his father for a sign as he slowly bleeds to death…to have a bat smash through his study window.

Meanwhile Gordon settles in and takes the rough with the rougher.  But he’s tough and brave, and makes his mark, taking down corrupt policemen (including the commissioner of police) and him and batman form a working relationship.

We also get some other significant characters present – specifically Harvey Dent and Catwoman, as well as a mention of The Joker.

There’s also a good short in the Bluray edition, a 15 story focussing on Catwoman tangling with gangsters that’s pretty good.

Rating: GOOD 7/10, suitable for older teens upwards.

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Star Trek 2 The Wrath of Khan and top 5 Movie Sequels Episode 017

In this episode, Sam and Mark discuss Star Trek’s arguably finest movie The Wrath of Khan, discuss the x-box games Arkham City and Rage, and go over their favourite movie sequels

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The Dambusters – Dated but excellent war movie, focussing on both ingenuity and bravery 8/10

The Dambusters (1955) 

This movie is based on the true story of a raid by British bombers to take out the dams of Germany, used to power and aid in the steelmaking process, powering Germany’s war machine. It’s dated somewhat both in presentation (the dialogue is clipped, very stiff-upper lip) and certainly in its special effects. It’s also a bit problematic in that the leader – Guy Gibson – has a dog whose name is now quite a severe racial slur (the N-word), and whose presence is throughout the movie – which is a shame as it means they barely ever put this movie on the TV.

However, it’s very stirring stuff, despite being pretty anti-gungho. I really enjoy how technical problems kept coming up, and the boffins or the airmen just shrug and say ‘we’ll work it out’ – and they do just that for each and every seemingly-impossible problem, by sheer ingenuity and brainpower. The attack requires a new type of bombing mechanism – the ‘bouncing bomb’, thought up by Barnes Wallis – one of the great engineers of the war, which has to dispatched at exactly the right height and distance from the target.

The bombers who have already dropped their load go in with each run of the next bomber to help draw flak, and given these men have to fly very low over water at night, with spotlights on, and always unload the bomb in exactly the same position – these guys were sitting ducks and they knew it.

It’s a movie of brave men training to fly at insanely low heights for hundreds of miles just to get where they needed to, and then fly into flak with courage and coolness to deliver their payload. There’s no dflag-waving, there’s no histrionics, just men knowing what they have to do, and doing it. It ends in a downbeat way, with the survivors resting in their bunks, whilst the bunks of the 56 lost men lie empty.

A war movie with a documentary feel, I’d thoroughly recommend this as long as poor special effects don’t bother you.

Rating: Good, 8/10

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Trilogy of Terror – fun little made-for-TV anthology horror, especially the final story 7/10

Trilogy of Terror (1975)

This is a made-for-TV anthology horror movie consists of three stories.  Each story is about a specific woman or women, and each central character is played by the same actress, Karen Black.  She’s actually quite a good actress, selling you the preposterousness of some parts of the story, and she’s very striking with odd features…kind of grotesquely pretty.

The first story is about a mousey, timid woman who teaches at a college, and who relucantly agrees to a date with one of her students (they’re both adults, by the way).  This guy turns out to be a really sleazy type who drugs her and takes pictures of her so he can blackmail her for months to do all sorts of terrible things (this is all implied rather than shown).  I loathed this guy, but the end saw a great comeuppance, so I enjoyed this story a lot.

The second story was a tale about two sisters, one bad and one good, who inhabit the same house and hate each other…however you could see the end a mile off, as they were both played by Karen Black – there’s no way she can hide her features enough to pull this off convincingly.

The third story was a hell of a lot of fun, and the one most remembered by anyone who has seen this movie.  Basically a lone woman is terrorised by a little warrior voodoo (‘Zuni’) doll in her apartment – imagine gremlins with a scary looking doll instead of a gremlin.  Now, this should be completely ridiculous and laughable, but Black sells it completely – it’s genuinely scary and you’ll be getting tension in the shoulder-blades as she creeps around the apartment, trying to find the thing or as a door-handle turns.

Definitely recommended.

Rating: ODD, 7/10
Suitable for teens and adults

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The Wicker Man (1973) Mysterious and unique horror movie 10/10

The Wicker Man (1973)

In the Cinemas in 1973 but made a few years earlier, The Wicker Man is an exceptional and very classy horror movie, dealing with a seemingly gentle though unusual society, seen through the eyes of a stout Christian.

A policeman is sent to a remote Scottish island called Summer Isle to investigate the disappearance of a young girl. He’s a dedicated old-school Christian, and is first disconcerted by the strangeness of the community, then shaken by its open sexuality and possibly passive-aggressive stance to his questions, and then finally disgusted by its adherence to Pagan rituals. Finally his investigations lead him to the truth behind the girl’s disappearance, and the more startling secret behind that…

This film is wonderful. Edward Woodward (probably known to many of you as the star of ‘The Equalizer’) is excellent casting for the dour and grim hero of this piece, as is Christopher Lee as ‘Lord Summerisle’, leader of this community. This film is also whimsical (in the folky music) and erotic (with Britt Ekland playing the pub landlord’s daughter Willow, who tries to entice the policeman by singing a slightly bawldy song while dancing). Woodward convinces you he is deeply tempted, but also a man of conviction that can hold out to such temptation.

This is a slow-burn movie, but does convey a sense of off-kilter from the very beginning, as the policeman arrives. We are aware he is an outsider given his uniform and his obvious fish-out-of-water demeanour, and we empathise with his dislocation, I think. The growing dread of the policeman as he nears the truth of the disappearance is obvious and palpable. The film builds confidently as it goes, and the different elements (music, sex, ritual, mysticism) are conveyed brilliantly through the dialogue and direction. This wouldn’t have worked with a less talented director and screenwriter, but here it is just wonderful. The sense of creeping, dawning dread has you on the edge of your seat at times, just waiting to see the next discovery in the investigation.

The film is also remarkable as it is one of the most cliche-free movies you’ll see. It doesn’t rely on the usual horror movie conventions to frame and create its tension…it’s more like a detective movie with a touch of the eerie and erotic much of the time, but it is definitely tense and ultimately horrific.

I’ve been very careful not to give away too much here, as the whole film should be a pleasure taken first-hand, and if you’ve not seen it and don’t know about the story from start to end, I envy you and urge you to see it.
Rating: ODD, 10/10
Suitable for adults only.

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TV Review: Doctor Who Regeneration 1 Series 003 – The Edge of Destruction 5/10

Doctor Who Regeneration 1 Series 3: The Edge of Destruction (aka Inside the Spaceship aka Beyond the Sun)

This two-episode serial is quite unusual.  It only features the 4 main principals, and is set entirely on the Tardis.  The story is that the crew awake disorientated, and slowly realise it’s a race against time to figure out what’s wrong before the Tardis is destroyed.

It’s an odd one, especially the first part of the first episode, where the cast act completely disorientated, repeat things like they can’t remember what they said, and so on.  As it goes on, they get more lucid, but various issues arising from earlier serials come to a head.  The doctor shows distrust of Ian and Barbara, thinking they are trying to sabotage the ship, but slowly realises he’s wrong, and how valuable his new crewmates are.  We also get a setup of the Tardis being more than a machine, having some sort of innate intelligence.

However, it’s very slow and rather tonally hysterical in places (in that the acting is overwrought and much too melodramatic).  Worth a look for Whovians though.

Rating: ODD, 5/10
Suitable for all ages

 
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Book Review: American Gods by Neil Gaiman 7.5/10

Book Review: American Gods by Neil Gaiman

This is my first time reading Neil Gaiman, having decided to give him a try after his excellent episode of a recent Dr Who, where the Tardis become personified as a woman.

This particular story involves the premise the gods and mythical creatures from all major pantheons are alive and well and living as (mostly) people (except the Greek and Roman pantheons – they seem absent) in America – ostensibly because people from all across the world that believed in them migrated to America.  However, the old gods are fading as less and less people actively believe in them, whilst new gods (such as TV, the motorcar, etc) are rising.  The main protganist is a man who gets sucked into this by one of the old Gods to help gather the old gods into a coherent force, as this old god believes the new gods are trying to actively destroy the old gods.

He’s an efficient writer, keeping a good balance of dialogue, narrative drive, and interesting asides that inform and enrich the story. The story is twisty enough to not see the turns coming, and I thought I’d spotted the ending half-way through – and was completely wrong.  It takes an unexpected path and avoids what looks like the predictable ending, and keeps readable and engaging to the end.
Rating: ODD, 7.5/10
Suitable for older teens upwards

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Movie Review: 25th Hour – excellently made drama about a failed life 8/10

25th Hour

25th Hour examines the last day of freedom of a man before being sent to jail for 7 years. The main character is Monty Brogan, a drug dealer in New York City. He is played by Ed Norton in a really powerful and moving lead performance. The film is directed by Spike Lee, a director I’ve admired and liked for some time, and who I felt had peaked with the wonderful ‘Malcolm X’ – until I saw this.

This movie is essentially a long goodbye, where Monty plays out all the issues he has with his real friends, his business associates, his city and its citizens, and his girl. This is a beatifully-played film, filled with such issues as longing, regret, and ‘what if’, and friendships/love that may or may not be over. It’s a film about goodbyes in that sense, but there’s much more here than meets the eye.

Each of his friends are an important element in showing us the real Monty, and not only him, but how he has reflected on them (in no small way). They feel guilt and remorse in not having stopped him becoming a dealer, for example. There’s no plot other than him saying his goodbyes, but that’s more than enough. The support actors are excellent, and more than match Norton’s intense and realistic performance. The support includes Rosario Dawson as his girlfriend Naturelle, Philip Seymour Hoffman as his thoughtful and reticent friend who is a teacher with the hots for one of his students (Anna Paquin), and Barry Pepper as a pushy stock-market guy who is deeply struck by how he’s let his friend Monty down. These people give brilliantly-acted, blistering scenes that elegantly and dramatically fill in their backstory, and tell you how they got to the here and now.

Also wonderful is the moving interplay of father and son, with Brian Cox playing Monty’s father. How he comes to terms with his son’s prison sentence, and how he tries to lead his son to not go to prison and run, is powerful and striking. It illustrates the nature of fatherhood perfectly (to me at least), of how you care for your child, but can’t engage him as fully and as emotionally as a mother can. But still, you do your best.

There have been assorted criticisms ranged at this movie, particularly suggestion how the 9-11 motif is jammed in, and how this creates jarring scenes and moods that spoil the flow of this movie, but I find it appropriate and fitting. This is a film about New York and New Yorkers too, so to ignore this aspect of New York and American life would be trite, and seem to me a little petty.

The fact that this is a film about a low-life drug dealer that engages your sympathy and makes you think and feel pretty deeply towards this guy, and think on it long after the movie has finished, confirm the quality of film-making here. It’s a film that will have you thinking, and talking about it afterwards, and wanting to get people who haven’t seen it to give it a go.

Also, be aware, it’s a love/hate letter about New York. Norton does a rant about what he hates about NY early on that will strike a chord with the ‘angry man’ inside us all.

I can’t think of any films even close to this in most ways – it is a one-off, done by Spike Lee. Nice work, Spike!

Rating: GOOD 8/10, suitable for older teens upwards.

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TV Review: Doctor Who Regeneration 1 Series 002 – The Daleks 7.5/10

Doctor Who Regeneration 1 Series 2: The Daleks (aka The Mutants aka The Dead Planet)

This seven-episode run was the introduction of the Doctor’s longest-standing and greatest enemies, the Daleks. Whilst it’s stagey and slow compared with modern drama, it still holds up.  Some bits are a little ridiculous (the pretty Thal race talking like blueblood luvvies, for example), but overall it’s easy to see why the Daleks had such an impact.  I think it’s a reasonably supposition that some of the longevity of Dr Who is down to the clear iconography and character of the Daleks.  Even small children can impersonate them, and they are clearly and purely evil and self-serving – about as villanous as it gets.

In addition, this story was remade into a motion picture in 1965 with Peter Cushing playing the Doctor (in this, billed as ‘Doctor Who’)

Recommended to anyone with any interest in TV history or sci-fi.

Rating: GOOD, 7.5/10
Suitable for all ages

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Book Review: The Dark Tower (the series) by Stephen King 8/10

The Dark Tower (the series) by Stephen King 

This sprawling epic of 4,000 pages, written by Stephen King, consists of 7 main books, and tells the story of Roland The Gunslinger and his friends as they quest to reach The Dark Tower, possibly to save creation.

This is most certainly a recommended read for King fans.  For others, there is certainly entertainment to be had, but you’ll need a lot of time on your hands.  The books aren’t all necessarily self-contained either.  The first book does stand alone as a series of short stories linked by a greater arc, and is a fairly short book.  It doesn’t quite serve as a taster, as it doesn’t have the richness of characterisation that comes in book 2 and onwards, but it’s still nonetheless the perfect place to dip your toes in this particular pond.

Book 2 – The Drawing of the Three – is the book where Roland draws together his quest-friends, helping them in their former lives and bringing them into his world. Book 3 charts their progress as a group (and ends with a cliff-hanger), and Book 4 details part of Roland’s past, and his first love affair.  That makes it sounds bland and wishy-washy, but I believe it’s by far the strongest book in the series, with excellent characterisation, and antagonists that aren’t supernatural and offstage (which is much the case in the other books).

Book 5 details how Roland’s ‘ka-tet’ defend a town against raider-robots after the town-children, and is also quite a good, standalone tale. 

Book 6 is rather weak, and really doesn’t stand alone as a read – it’s really the lead-in to the final book; and you’d only read it if you were invested in the series at this point.  Book 7 is the resolution of the whole saga, and probably the second-best book in the series.

I’ll try not to give spoilers, but here’s the good and the bad of it.

Good things: Major sections of this work were almost wholly unpredictable, both in terms of story and in terms of characters and incidents.  It’s hard to imagine a writer of exciting tales about a travelling quest deciding one of his major protagonists should have no legs, for example. Another good thing is that the ending is about perfect, in my opinion (though there’s by no means universal agreement on this) – I’m a long-time King reader, and he really struggles with endings for his longer stories.  This one was fine, however.

Bad Things: He introduces things from other stories (such as references to Harry Potter, and weapons called ‘sneetches’) or things that take you out of this story, somewhat fracturing the internal narrative (Stephen King is a significant character in the later books!).  These take you out of this story quite a bit when you first get to them. There’s also a little too much ‘deus ex machina’ going on, in that things get resolved by some convenient magic or gobledegook a little too often.  I can’t say more without spoiling the end of book 7, but the death of the final villain is probably the worst instance of this.  And finally, some ofthe major villains in these books – who are built up as near-mythically-powered – are way too easy for Roland to tackle.

Overall, I would recommend this series, but I think you need to decide for yourself at the end of book 2 – that’s the point you’ll know well enough if you want to stay with Roland on his quest.
Rating: ODD 8/10

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TV Review: Doctor Who Regeneration 1 Series 001 – An Unearthly Child 6/10

Doctor Who Regeneration 01 Series 001: The Unearthly Child (aka 10,000BC aka The Tribe of Gum)

This is the very first episodes of Dr Who, broadcast in November 1963. It consists of 4 episodes of about 23 minutes each. 

The first episode is distinct in that it introduces us to Susan Foreman, a mid-teenager who is judged a little odd by two of her teachers.  She seems to know an awful lot about some things, things she really shouldn’t know, but then seems very ignorant of some everyday things any normal teenager would be well aware of.

The teachers go to her home, and find an old man who turns out to be her Grandfather, and they then stumble into the famous Tardis.  The first episode ends with the Tardis taking flight and them ending up in a barren rocky plain, with an ominous man’s shadow in shot.

The remaining 3 episodes concern a tribe of cavemen, with a struggle for power over who can make fire.  One caveman sees the Doctor light a match, and thinks he can make fire from his hands, and various to-ing and fro-ing ensues.

Like many episodes of the Hartnell era, it’s quite stagey, but it does move at a reasonable pace, and sets up the tension reasonably well.  There’s lots here that will jar a little with anyone who knows their Who, such as the way the Doctor talks about the Tardis, the things the doctor does when they land (soil tests) which he never does thereafter, and so on.  This is perfectly understandable and legitimate, of course, this being the pilot, and their just trying out different concepts/backstory for fit.  Some things they get spot on, like the Tardis’s ‘disguise circuit’ failing.  Overall, a recommend to watch, if nothing else as a curio.

Rating: ODD, 6/10
Suitable for all ages

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